Murals
Though Charlot is recognized as a master of multiple media, his work in the medium of true fresco is considered his greatest legacy. Beginning with the Mexican mural movement in the early 20th century, and in later large-scale projects in the continental U.S., Hawaiʻi and Fiji, Charlot created works fully integrated in both sacred and secular spaces.
Featured Murals
The Massacre in the Main Temple – Mexico City, Mexico • 1923
Visual Arts, Drama, Music – Athens, Georgia, USA • 1942
Relation of Man and Nature in Old Hawaiʻi – Honolulu, Hawaiʻi, USA • 1949
Commencement – Honolulu, Hawaiʻi, USA • 1953
Trinity and Episodes of Benedictine Life – Atchison, Kansas, USA • 1959
Night Hula – Honolulu, Hawaiʻi, USA • 1961
Black Christ and Worshipers – Naiserelagi, Province of Ra, Fiji • 1962
The Relation of Man and Nature in Old Hawaiʻi – Pearl City, Hawaiʻi, USA • 1974
