Letter to W. Alanson Bryan on his Nationality, 1925. 1925. Previously unpublished.

“Art interpretations.”  March 1926.  Mexican Life, Volume 2, Number 2, pp. 16–17. 

Quotation on dais, Northwest Colonnade, Chich’en Itza.  1926.  Sylvanus G. Morley: “Archaeology,” Carnegie Institution of Washington Year Book No. 25, July 1, 1925, to June 30, 1926, Carnegie Institution of Washington, Washington D.C., pp. 259–286: pp. 262 f. 

“Report on the Columns in the Temple of the Warriors.”  1926.  Partially published in the above.

“The Dais of the Temple of the Warriors.” 1926.  Previously unpublished.

“Report of Jean Charlot on the Sculptures and Paintings in the North and Northwest Colonnades (Stations 8 and 10).”  1927.  Sylvanus G. Morley: “Archaeology,” Carnegie Institution of Washington Year Book No. 26, July 1, 1926, to June 30, 1927, Carnegie Institution of Washington, Washington D.C., pp. 231–267: pp. 246–249. 

“Report of Jean Charlot on the Sculptures of the Temple of the Warriors and the Temple of the Chac Mool.”  1928.  Sylvanus G. Morley: “Archaeology,” Carnegie Institution of Washington Year Book No. 27, July 1, 1927, to June 30, 1928, Carnegie Institution of Washington, Washington D.C., pp. 287–320: pp. 300–302. 

 

“Report of Jean Charlot on the Sculptures Copied in the Field Season of 1928.”  1928.  Partially published in the above.

 

Brenner, Anita [and Jean Charlot], 1928.  “Une Renaissance Mexicaine.”  La Renaissance de l'Art Français et des Industries de Luxe, Volume 11, Number 2, February, pp. 60–68.

 

“A Note on Maya Esthetic.”  1928.  Previously unpublished. 

 

“José Clemente Orozco.”  May 1928.  Mexican Life, Volume 4, Number 6, pp. 25–30.

Text with Jean Charlot's manuscript notes.

 

Letter.  Quoted in Edward Alden Jewell: “American Art Off to Sweden—Orozco Exhibits” etc., The New York Times, February 9, 1930, section VIII, p. X13.

 

“Aztec Motifs.”  November 1930.  Design, Volume 32, Number 6, pp. 138–139.

 

Notes on the selection of Opportunity Gallery show.  April 1931.  In Augusta Shemin: “Opportunity Gallery,” The New York Art Center Bulletin, p. 103.

 

“The Bas-reliefs from the Temple of the Warriors.” June 1931.  Art and Archaeology, Volume 31, Number 6, pp. 311–316.

 

“The Maya of Middle America: Part IV––Bas-Reliefs from the Temple of the Warriors.”  June 7, 1931.  News Service Bulletin, School Edition, Carnegie Institution of Washington, Volume 2, Number 20, , pp. 133–136.

 

Notes on the Theory of Art.  Ca. 1932–1938.  Previously unpublished.

 

Art Book.  1932–1938.  Previously unpublished.

 

“An Estimate and a Tribute to Weston from a Painter.”  1932.  Edward Weston.  New York: E. Weyhe.

 

“William A. Bouguereau: Fifty Years of Painting.”  December 1932.  Exhibition catalog, John Levy Galleries, New York.

 

"Louis Eilshemius: an Appreciation." January-March 1933. Hound & Horn, Volume 6, Number 2, pp. 242-245.

 

"Pinning Butterflies." May 1933. Creative Art, Volume 12, pp. 354-359.

 

"Ben Shahn: an Appreciation." July-September 1933. Hound & Horn, Volume 6, Number 4, pp. 632-634.

 

Statement.  September–October 1933.  100 Photographs: Edward Weston.  Chicago: Increase Robinson Galleries.

 

"Franklin D. Watkins." January-March 1934. Hound & Horn, Volume 7, Number 1, pp. 241-243.

 

"Art, Quick or Slow." November 1934. Magazine of Art, Volume 27, Number 11, pp. 571-576.

 

 

"Emilio Amero." January 5, 1935. Flyer for Amero, Julien Levy Gallery, New York, New York.

 

“Mayan Art,”  July 1935.  Magazine of Art, Volume 28, Number 7, pp. 418–423.

 

"A Death God in Stone." June 1936. Bulletin of Smith College Museum of Art, Number 17, pp. 12 f.

 

"Painter's Insight, Public's Sight: The Critic, The Artist, and Problems of Representation." Spring 1937. The American Scholar, Volume 6, Number 2, pp. 131-144.

 

Autobiographical note.  Spring 1937.  Quoted in “About Our Authors,” The American Scholar, Volume 6, Number 2, pp. 126–127, p. 252.

 

“Surrealism – or the reason for unreason.”  Spring 1938. The American Scholar, Volume 7, Number 2, pp. 230–242.

 

Autobiographical note.  Spring 1938.  Quoted in The American Scholar, Volume 7, Number 2, p. 256.

 

“A XII century Mayan Mural.”  November 1938.  Magazine of Art, Volume 31, Number 11, p. 624–629.

 

"Cubism: Requiescat in Pace." Winter 1938-1939. The American Scholar, Volume 8, Number 1, pp. 102-114.

 

“But is it art?  A Disney disquisition.”  Summer 1939.  The American Scholar, Volume 8, Number 3, pp. 261–270.

 

Statement for Amero: Picture Book: Photographs of Mexico, The Weyhe Gallery, New York, New York, n.d. [1940].

 

“Edward Weston.”  April 1940.  California Arts and Architecture, Volume 57, p. 20.

 

"The Artist as Copyist." April 1940. The League, Volume 11, Number 4, pp. 4-6.

 

Foreword to exhibition of Julio de Diego. May 1940. Plastic Speculations Around Mexican Motifs, Bonestell Gallery, New York City, unnumbered.

 

“On Illustrating ‘Henry VI,’ Part III.”  June 1940.  For the Subscribers to the Limited Editions Club’s Shakespeare: A Shakespeare Commentary, p. 4, unnumbered.

 

“Twenty centuries of Mexican art.”  July 1940.  Magazine of Art, Volume 33, Number 7, p. 398–404 f.

 

"Catholic Art, Its Quandaries." October 1940. Liturgical Arts, Volume 9, Number 1, pp. 6-8.

 

“The painter sees the world.”  Winter 1940/41.  The American Scholar, Volume 10, Number 1, pp. 94–101.

 

Biographical note.  Winter 1940/41.  The American Scholar, Volume 10, Number 1, p. 128. 

 

“Foreword to an Exhibition on Art Techniques.”  1941. Penthouse Gallery, Museum of Modern Art, New York, New York.  Previously unpublished. 

 

“Art: all-American.”  February 8, 1941.  The Nation, Volume 152, Number 6, p. 165–166.

 

"Abstract vs. Concrete." April 1941. The League, Volume 12, Number 3, pp. 2-3.

 

"Public Speaking in Paint." Autumn 1941. The American Scholar, Volume 10, Number 4, pp. 455-468.

 

“Autobiography.  Eric Gill.”  September 12, 1941.  Commonweal, Volume 34, Number 21, pp. 498 f.

 

“Beauty of Athens enhanced by series of mural decorations.”  November 1, 1942.  The Athens Banner-Herald, Sunday, sec. A, p. 6.

 

“Interesting display of Mexican art now at Michael’s.”  The Athens Banner-Herald, February 3, 1943, p. 1, col. 5; p. 3, col. 1.

 

“Musings of a Muralist.”  November 1943.  The Twisted Tube, Art Students League of the University of Georgia, Volume 2, Number 1, p. 2.

 

“Eugene Payor exhibit praised: continues until December 6.”  November 22, 1943.  The Athens Banner-Herald,  p. 3.

Transcription of above, "Eugene Payor."

“Eugene Payor,” Exhibition catalog.  April–May, 1946.  New York: Bonestell Gallery. 

 

Writings Related to The Mexican Mural Renaissance, 1921-1925. 1942, 1944, 1961. Previously unpublished.

 

Short Writings Related to The Mexican Mural Renaissance.

 

Passages cut from the Original Typescript of Jean Charlot's The Mexican Mural Renaissance.

 

Chapter XXV: Conclusion

 

Appendix I: Fresco Painting in Mexico

 

Appendix III: The United States and the Renaissance

 

"Edward Weston and Mexico"

 

"On Dodd." January 1944. The Twisted Tube, Art Students League of the University of Georgia, Volume 2, Number 2, pp. 1-2.

 

“How Dodd paints Georgia.”  February 27, 1944.  Atlanta Georgia Magazine, p. 7.

 

Letter to the editors.  February 1944.  Liturgical Arts, Volume 12, Number 2, pp. 48–49.

Reply to letters about his frontispiece in Volume 12, Number 1, November 1943, illustrated.

 

“One of the Most Important Art Shows ever to Come to Athens is now Underway at the Fine Arts Building.” April 12, 1944.  The Athens Banner–Herald, p. 3.

 

“Fresco murals at University of  Georgia,”  Design, December 1944, p. 7.

 

“José Guadalupe Posada: Printmaker to the Mexican People.”  January 1945.  Magazine of Art, Volume 38, Number 1, pp. 16–21.

 

“Foreword.”  March 1945.  Paintings by Jean Charlot: Shown at The George Walter Vincent Smith Art Museum, Springfield, Massachusetts, March 4th to 25th 1945.

 

“Rufino Tamayo.”  April 1945.  Magazine of Art, Volume 38, Number 4, pp. 138–141. 

 

“Old Masters for Tomorrow.”  Spring 1945. Kenyon Review, Volume 7, Number 2, Spring 1945, p. 318–321. (Review of Sidney Janis: Abstract and Surrealist Art in America).

 

“Murals for tomorrow”  July 1945.  Art News, Volume 44, Number 9, pp. 20–23.

 

“Introduction.” 1946.  Anne Lyon Haight (ed.): Portrait of Latin America as seen by her Printmakers.  New York, Hastings House, pp. vi–viii, 1–7.

 

“Renaissance revisited.”  February 1946.  Magazine of Art, Volume 39, Number 2, p. 58–62. 

 

“Introduction.”  May 1946.  Mexican Folk-Art Expressed in the Cut-Out Designs of Lola V. Cueto, Exhibited at the Southwest Museum during May, 1946.  Pasadena: Southwestern Museum, Pasadena Library.

 

“Pre-Hispanic Quota in Mexican Murals.”  Winter 1946.  The Kenyon Review, Volume VIII, Number 1, pp. 1–13.

 

“Juan Cordero: A Nineteenth-Century Mexican Muralist.”  December 1946.  Art Bulletin, Volume 28, Number 4, pp. 248–265.  With unpublished supplement. 

 

"Foreword."  1947.   100 Original Woodcuts by Posada, Arsacio Vanegas Arroyo, Mexico City; The Taylor Museum, Colorado Springs, pp. 5–8.

 

“Xavier Guerrero, Aztec artist.”  January 1947.  Magazine of Art, Volume 40, Number 1, , p. 26–28, 34–35.

 

“Mexican Heritage.”  January 1947.  Magazine of Art, Volume 40, Number 1, p. 38 f.  (Review of Hoyningen Huene and Alfonso Reyes: Mexican Heritage.)

 

“Education in the Arts: Theory and Practice.”  September 1947.  Lecture delivered at the Colorado Springs Fine Arts Center, Colorado Springs, Colorado.  Previously unpublished.

 

Review of Matila Ghyka: The Geometry of Art and Life, Sheed and Ward, 1946.  October 1947.  Magazine of Art, Volume 40, Number 6, p. 248.

 

“José Clemente Orozco.”  November 1947.  Magazine of Art, Volume 40, Number 7, pp. 258–263.

 

“Art at FVS” [Fountain Valley School].  June 1948.  FVS Alumni Bulletin, pp. 75–77.

 

Review of Robert Goldwater: Rufino Tamayo, Quadrangle Press 1947. October 1948.  Magazine of Art, Volume 41, Number 6, p. 240.

 

“American Printmaking, 1913–1947: A Retrospective Exhibition Presented by the American Institute of Graphic Arts.”  1948.  Print, Volume 5, Number 4, p. 45–51.

 

“Art and Archaeology.”  1949. Elizabeth Wilder (ed.), Studies in Latin American Art, The American Council of Learned Societies, Washington, pp. 47–52.

 

“Mexican ex-votos.”  April 1949.  Magazine of Art, Volume 42, Number 4, pp. 139–142.

 

“Mexican prints.”  November 1949.  The Metropolitan Museum of Art Bulletin, Volume 8, Number 3, pp. 81–90.

 

“Orozco’s stylistic evolution.”  Winter 1949–1950.  College Art Journal, Volume 9, Number 2, pp. 148–157. 

 

“El Greco as mystic.”  February 1950.  Sheed and Ward’s Own Trumpet, Number 22.  [Review: Bruno de J.M., Three Mystics]

 

“Renaissance in Haiti, Seldon Rodman.”  March 1950.  Magazine of Art, Volume 43, Number 3, p. 114–115.

 

“Diego Rivera at the Academy of San Carlos.”  Fall 1950.  College Art Journal, Volume 10, Number 1, pp. 10–17.

 

“Art.  Eric Gill and 25 Nudes.”  December 8, 1950.  Commonweal, Volume 53, Number 9, p. 236.

 

“College Art Teaching.”  1951.  Previously unpublished. 

 

“The Chinese ink-paintings of Tseng Yu-Ho.”  April 1951.  East and West, Volume 2, Number 1, pp. 17–22.

 

Review of Weismann, Elizabeth Wilder: Mexico in Sculpture, 1950.  May 1951.  Magazine of Art, Volume 44, Number 5, pp. 200 f.

 

“Orozco and Siqueiros at the Academy of San Carlos.”  Summer 1951.  College Art Journal, Volume 10, Number 4, pp. 355–369.  

 

“Apologia.”  Summer 1951.  Previously unpublished. 

 

“Apologia.”  Summer 1951.  Reading version.  Previously unpublished. 

 

“Painting and revolution.”  September 15, 1951.  Saturday Review of Literature, Volume 34, pp. 48–49. 

 

“Mural in the Waikiki Branch of the Bishop Bank: Subject-Matter: Early Contacts of Hawaii with Occidental Culture.”  Ca. 1951.  Previously unpublished.

 

“Man’s Wisdom Subdues the Aggressive Forces of Nature.”  Ca. 1951.  Previously unpublished.

 

“Choris and Kamehameha.”  1952.  Sixty-First Annual Report of the Hawaiian Historical Society, Honolulu for the Year 1952, p. 20–28.

 

“Address [on mural painting].”  February 4, 1952.  Honolulu, Hawai`i: Social Science Association.  Mimeographed.

 

Review of Samuel Ramos, Acuarelas de Diego Rivera, Studio Publications, N. Y. and London, 1948.  March 1952.  Magazine of Art, Vol. 45, Number 3, pp. 139 f.

 

 “Foreword.”  September 1952.  Juliette May Fraser: Ke Anuenue, University of Hawaii Press, Honolulu.

 

Commentary on the document on religious art of the Congregation of Rites.  November 1952.  Quoted in full in Maurice Lavanoux, “The Editor’s Diary: VII,” Liturgical Arts, Volume 21, Number 1, pp. 20–25, pp. 23 f.

 

“Diego Rivera in Italy.”  January 1953.  Magazine of Art, Volume 46, Number 1, p. 3–10.

 

“Thirty years at it.”  February 1953.  Liturgical Arts, Volume 21, Number 2, pp. 36–39.

 

Statement on the publication of Juliette May Fraser: Ke Anuenue, 1952.  May 1953.  “The Story of a Book: Ke Anuenue.”  Kokua, Volume 16, Number 9, p. 2.

 

“Exhibition of stained glass.”  May 1953.  Paradise of the Pacific, Volume 65, Number 5, p. 27.

 

“Who discovered America?”  November 1953.  Art News, Volume 52, Number 7, pt. 1, pp. 30–33, 49-51. 

 

“Jean Charlot.” 1954. Born Catholics, edited by F. J. Sheed, Sheed & Ward, New York, pp. 96–113.

 

 “U of H Administration Building frescoes.”  March 1954.  Alumni News, Volume 5, Number 10, pp. 10, 12.

 

The Bachman Hall Frescoes, University of Hawaii.  Ca. 1954.  [Honolulu: University of Hawai`i].

 

N.t. [on his clothes]. N.d. [ca. 1954].  Source unknown.

 

“a ‘find’ in the art world, a new portrait of Kamehameha.”  1954.  Paradise of the Pacific, Volume 66, annual, pp. 34–37, 112.

 

“Saints and Santos.”  May 1955.  Liturgical Arts, Volume 23, Number 3, pp. 78–81.

 

“King Kamehameha’s red vest.”  June 1955.  Paradise of the Pacific, Volume 67, Number 6, pp. 9–11.  Heavily edited. 

 

“A Westerner on Japanese Art.”  July 1955.  East and West, Volume 6, Number 2, pp. 143–149.

 

“New frescos at the University of Hawaii.”  1955.  Paradise of the Pacific, Volume 67, Holiday Edition, pp. 82 f.

 

 “The Frescoes for the Church of the Good Shepherd.”  Good Shepherd Weekly Vigil, Volume 6, Number 26, December 18, 1955, pp. 1 ff. 

 

 “Art, Sacred and Otherwise: Comments on a New Book.”  1956.  Mimeographed.  (Review: J.B. O’Connell, Church Building and Furnishing.)

 

“Nature and the Art of Josef Albers.”  Spring 1956.  College Art Journal, Volume 15, Number 3, pp. 190–196.

 

“Choris and the Chiefess.”  January 1956.  Paradise of the Pacific, Volume 68, Number 1, pp. 16–17, 26.   Heavily edited; pencil corrections by the author.

 

Articles for the Encyclopedia Junior Britannica. 1956. Partially published.

 

“Orozco at Close Range: From Cartoonist To Master” (review of Alma Reed: Orozco, 1956).  July 22, 1956.  New York Herald Tribune, Section 6, p. 6.

 

Review of Alma Reed: Orozco, 1956.  Fall 1956.  College Art Journal, Volume XVI, Number 1, pp. 85–87.

 

“Post-Cook Discovery in Petroglyphs.”  November 1956.  Paradise of the Pacific, Volume 68, Number 11, pp. 26–29.  Heavily edited.

Original version of above, "Post-Cook Discovery."

 

“The Indian beneath the skin.”  May 1958.  Art News, Volume 57, Number 3, pp. 43, 55.  (Reviews: S. K. Lothrop, Pre–Columbian Art; Miguel Covarrubias, Indian Art of Mexico and Central America.) 

 

“Fresco: Calvary, for St. Leonard Friary.”  1958.  Previously unpublished.

 

“Catholic Art in America: Debits and Credits.”  November 1958.  Liturgical Arts, Volume 27, Number 1, pp. 21–23.

 

“Art today: a survey.”  August/September 1959.  The Critic, Volume 18, Number 1, p. 23–26, 79.

Written version of lecture given at the symposium A Report on American Culture, Rosary College, River Forest, Illinois, June 13–14, 1959. 
Reprinted in “Art.”  1959.  Below. 

 

“Art.”  1959.  A Report on American Culture: A Symposium Sponsored by the Thomas More Association and the Department of Library Science, Rosary College, The Thomas More Association, pp. 63–75. 

 

Review of Hubert van Zeller, Approach to Christian Sculpture, 1959.  November 1959.   Liturgical Arts, Volume 28, Number l, p. 22.

 

“Jean Charlot’s Fresco–Mural in the Church of Our Lady & St. Philip, Rock Hill, South Carolina.”  November 1959.  Previously unpublished.

 

“The Mexican Renaissance.”  May 11, 1960.  Lecture delivered at the Art Department, the University of Texas at Austin, Austin, Texas.  Previously unpublished. 

 

Review of Jacques Maritain: The Responsibility of the Artist. August 1960.  Liturgical Arts, Volume 28, Number 4, pp. 111 f.

 

Review of Frank and Dorothy Getlein: Christianity in Art.  August 1960.  Liturgical Arts, Volume 28, Number 4, p. 113.

 

Letter on Plan for the Fresco in the Church of Our Lady of Sorrows, Farmington, Michigan.  March 12, 1961.  Previously unpublished.

 

“Fresco In The Church of Our Lady of Sorrows, Farmington,.”  September 24, 1961.  The Parish Bulletin of Our Lady of Sorrows Church, Volume XI, Number 39, pp. 1, 3.

Original typescript of above, "Our Lady of Sorrows."

 

Review of Alfred Frankenstein: Angels over the Altar, 1961.  November 1961.  Liturgical Arts, Volume 30, Number 1, pp. 50–52. 

 

Explanations, The Charlot Frescoes: Moreau Hall, Saint Mary’s College, Notre Dame, Indiana, Saint Mary’s College, Notre Dame, ca. 1963. 

Original typescript of above, "Explanations." 1956.

 

[Charlot, Jean?].  N.d. [1963?].  “The Jean Charlot Mural at Navunibitu, Ra, Fiji (At Naiserelangi: Kings Road).”  Suva, Fiji: Navunibitu Catholic Mission.

 

“Wit and Tactile Beauty [Marjorie Hee].”  The Chinese World, September 11, 1964, p. 1.

 

“Art and Communication: The Example of José Guadalpe Posada.”  June 9, 1965.  Lecture delivered at Wayne State University, Detroit, Michigan.  Previously unpublished. 

 

Two Lonos: a one-act play.  November–December 1965.  Paradise of the Pacific, Volume 77, Number 6, pp. 68–76.

 

“Foreword.”  1966.  Emily Edwards: Painted Walls of Mexico: From Prehistoric Times until Today.  Austin and London: University of Texas Press, pp. ix–x.

 

“Fresco.”  1967.  New Catholic Encyclopedia, Volume 6, pp. 194 f.

 

“Report on Stay at East West Center as Senior Specialist.”  September 26, 1967.  Previously unpublished.

 

“Mural in Jefferson Hall: Occidental Apport to World Culture.”  1967.  Previously unpublished.

 

“Black Mountain College: A Diary.”  December 1967.  Form, Number 6, pp. 26 ff.

"Black Mountain College: A Diary: Full Transcription." 1967. Previously unpublished.

 

“A Westerner’s Approach to Chinese Painting: Comparisons, East and West.”  December 1968.  Notes and slide list for the talk given at the National Palace Museum, Waishuangshi, Shihlin, Taipei.

“A Westerner’s Approach to Chinese Painting: Comparisons, East and West.”  January 29, 1968.  Handout with summary of the talk given at the National Palace Museum, Taipei, Taiwan.  Taipei: National Palace Museum.

 

The Donald Angus collection of oil paintings by Madge Tennent. February 22 to March 15, 1968. Contemporary Arts Center of Hawaii, Honolulu.

Excerpts from Art: "The Tennent show.” The Honolulu Star-Bulletin, July 12, 1967, sec. B. p. 1. 

 

Letter to Jacob Adler on the Statue of Kamehameha by Thomas R. Gould.  Ca. July 1969.  Previously unpublished.

 

“An 1849 Hawaiian Broadside.”  1970.  The Hawaiian Journal of History, Volume 4, pp. 96–104.

 

Review of István Rácz: The Unknown God, Sheed and Ward, 1970. Ca. 1970. Previously unpublished.

 

“A Note on Work at Fountain Valley School.” Ca. 1970. Previously unpublished.

 

“The Way of the Cross in the Church of St. John Apostle and Evangelist, Mililani, Hawai`i: Letter to Fr. Anthony Pascale.”   February 4, 1971.  Previously unpublished.

 

“A Suggested Parallel between Venezuelan and Hawaiian Petroglyphs.”  February 8, 1972.  Previously unpublished.

 

“An Artist Looks Back.”  March 8, 1972.  Lecture delivered at the Honolulu Academy of Arts, Honolulu, Hawai`i.  Previously unpublished. 

 

Juliette May Fraser: A Retrospective Honoring the Artist 85th Year.  March 30–April 30, 1972. Honolulu Academy of Arts. 

From “Juliette May Fraser, artist, ambassador. ” The Honolulu Star-Bulletin, August 20, 1964, p. 24.

 

“The Relation of Western and Eastern Art: a Slide Lecture.”  February 21, 1974.  Lecture to the University of Hawai`i French Club, Mira Baciu, Faculty Advisor.  Previously unpublished.

 

Artists of Hawaii, Volume 1: Nineteen Painters and Sculptors; Photographs by Francis Haar, Interviews by Prithwish Neogy; with an introduction by Jean Charlot.  Honolulu: The State Foundation on Culture and the Arts and the University Press of Hawaii, 1974. 

Introduction.  1974.  Artists of Hawaii, Volume 1, pp. xi—xviii. 

“Isami Doi.”  1974.  Artists of Hawaii, Volume 1, pp. 3–5.

“Jean Charlot.”  1974.  Artists of Hawaii, Volume 1, pp. 42–49.

 

“Opihi Stew or Soup.”  Friends of Habilitat Cookbook, Habilitat, Kâne`ohe, Hawaii, 1974, pp. 34 f.  [first edition: Hawaiian Celebrities Cookbook, 1974, p. 28] 

 

“Why start a Claudel Society...”  1975.  Paul Claudel in the Pacific; Journal of the Society of Paul Claudel in the Pacific, Volume 1, Number 1, pp. 1–4.

 

Statement.  December 12, 1975.  The Unveiling of Mataumu Toelupe Alisa’s Ceramic Tile Mural Makahiki––Pa`ani Ho`oikaika o Moloka`i.  Moloka`i High and Intermediate School, The Gymnasium, Ho`olehua, Moloka`i.

 

“Notes on Posada.”  1977.  Print Review, Volume 7, pp. 5–27.

 

“Foreword.”  1977. Eva Cockroft, John Weber, and John Cockroft: Toward a People’s Art: The Contemporary Mural Movement, E. P. Dutton, New York, pp. xv–xviii.

 

"A Man for Four Seasons." [On Brancusi] 1977. Original English. Previously unpublished.

 

“O aruncatura de ochi peste opera lui Bracusi printr-o variate de culturi.”  2006. Translated by Stefan Baciu.  Trivium, 2–3(7/8), pp. 90–94.

 

“A Man for Four Seasons.” 2006. Trivium, 2–3(7/8), pp. 209–213. 

 

Foreword.  1977.  Way of the Cross: 14 Original Woodcuts, Lynton R. Kistler, Los Angeles.  [Reprint of Chemin de Croix, 1920]

 

“Apports of Hawai`i to Western Culture.”  1977.  Previously unpublished.

 

“Message from Jean Charlot.”  National Murals Network Newsletter 1978, p. 30–31.

 

“José Guadalupe Posada and his successors.”  1979.  Ron Tylor (ed.): Posada’s Mexico.  Washington, D.C.: Library of Congress in cooperation with the Amon Carter Museum of Western Art, 1979, pp. 29–57.

 

“Daumier’s Graphic Compositions.”  1980.  Andrew Stasik (ed.): Honoré Daumier: A Centenary Tribute.  New York: Pratt Graphics Center, 1980, pp. 55–95. 

 

“The Posters.”  1987 [1979].  Rupert Garcia: Artist–in–Residence, Institute of Culture and Communication, East–West Center, p. 3 [unnumbered].