Letter To W. Alanson Bryan On His Nationality. 1925 Previously unpublished.
Art Interpretations. March 1926
Mexican Life. Volume 2, Number 2, pp. 16–17.
Quotation on Dais, Northwest Colonnade, Chichen Itzá. 1926
Archaeology. Sylvanus G. Morley
Carnegie Institution of Washington Year Book No. 25, July 1, 1925, to June 30, 1926. Carnegie Institution of Washington, Washington D.C. pp. 259–286: pp. 262 f.
Report On The Columns In The Temple Of The Warriors. 1926 Partially published in the above.
The Dais Of The Temple Of The Warriors. 1926 Previously unpublished.
Report of Jean Charlot on the Sculptures and Paintings in the North and Northwest Colonnades (Stations 8 and 10). 1927
Archaeology. Sylvanus G. Morley
Carnegie Institution of Washington Year Book No. 26, July 1, 1926, to June 30, 1927, Carnegie Institution of Washington, Washington D.C. pp. 231–267: pp. 246–249.
Report of Jean Charlot on the Sculptures of the Temple of the Warriors and the Temple of the Chac Mool. 1928
Archaeology. Sylvanus G. Morley
Carnegie Institution of Washington Year Book No. 27, July 1, 1927, to June 30, 1928, Carnegie Institution of Washington, Washington D.C. pp. 287–320: pp. 300–302.
Report Of Jean Charlot On The Sculptures Copied In The Field Season Of 1928. 1928 Partially published in the above.
Une Renaissance Mexicaine. 1928 Brenner, Anita [and Jean Charlot]
La Renaissance De L'Art Français Et Des Industries De Luxe. Volume 11, Number 2, February, pp. 60–68.
A Note On Maya Esthetic. 1928 Previously unpublished.
José-Clemente Orozco. May 1928
Mexican Life. Volume 4, Number 6, pp. 25–30.
Text with Jean Charlot's manuscript notes. Jean Charlot's Corrigenda 1928
Letter. February 9, 1930
American Art Off to Sweden—Orozco Exhibits. Edward Alden Jewell
The New York Times. Section 8, p. X13.
Aztec Motifs. November 1930
Design. Volume 32, Number 6, pp. 138–139.
Notes on the selection of Opportunity Gallery show. April 1931
Opportunity Gallery. Augusta Shemin
The New York Art Center Bulletin. p. 103.
The Bas-Reliefs From The Temple Of Warriors. June 1931
Art and Archaeology. Volume 31, Number 6, pp. 311–316.
The Maya of Middle America: Part IV—Bas-Reliefs from the Temple of the Warriors. June 7, 1931
News Service Bulletin. School Edition. Carnegie Institution of Washington. Volume 2, Number 20, pp. 133–136.
Notes On The Theory Of Art. ca. 1932–1938 Previously unpublished.
Art Book. 1932–1938 Previously unpublished.
An Estimate and a Tribute to Weston from a Painter. 1932
The Art of Edward Weston. Merle Armitage New York: E. Weyhe. pp. 3–5.
William A. Bouguereau: Fifty Years of Painting. December 1932
Exhibition catalog, John Levy Galleries, New York.
Louis Eilshemius. January–March 1933
Hound & Horn. Volume 6, Number 2, pp. 242–245.
Pinning Butterflies. The Art of Henri-Matisse by Albert C. Barnes and Violette de Mazia. May 1933
Creative Art. Volume 12, pp. 354–359.
Ben Shahn. July–September 1933
Hound & Horn. Volume 6, Number 4, pp. 632–634.
Statement. September–October 1933
100 Photographs: Edward Weston. Chicago: Increase Robinson Galleries.
Franklin D. Watkins. January–March 1934
Hound & Horn. Volume 7, Number 1, pp. 241–243.
Art, Quick Or Slow. November 1934
Magazine of Art. Volume 27, Number 11, pp. 571–576.
Emilio Amero. January 5, 1935
Flyer for Amero. Julien Levy Gallery, New York, New York.
Mayan Art. July 1935
Magazine of Art. Volume 28, Number 7, pp. 418–423.
Description of The Art Contribution to All Nations and Countries. 1935 Description of mural at Straubenmüller Textile High School, NYC. Previously unpublished.
A Death God In Stone. June 1936
Bulletin of Smith College Museum of Art. Number 17, pp. 12 f.
Painter's Insight, Public's Sight: The Critic, the Artist, and Problems of Representation. Spring 1937
The American Scholar. Volume 6, Number 2, pp. 131–144.
Foreword. 1937
Carlos Mérida. Stendhal and Stanley Rose Galleries, Los Angeles, California.
Autobiographical note. Spring 1937
About Our Authors.
The American Scholar. Volume 6, Number 2, p. 252.
Surrealism — Or The Reason for Unreason. Spring 1938
The American Scholar. Volume 7, Number 2, pp. 230–242.
Autobiographical note. Spring 1938
The American Scholar. Volume 7, Number 2, p. 256.
A XII Century Mayan Mural. November 1938
Magazine of Art. Volume 31, Number 11, pp. 624–629, 670.
Cubism: Requiescat in Pace. Winter 1938–1939
The American Scholar. Volume 8, Number 1, pp. 102–114.
But Is It Art?  A Disney Disquisition. Summer 1939
The American Scholar. Volume 8, Number 3, pp. 261–270.
Statement n.d. [1940]
Amero: Picture Book: Photographs of Mexico. The Weyhe Gallery, New York, New York.
Edward Weston. April 1940
California Arts and Architecture. Volume 57, p. 20.
The Artist As Copyist. April 1940
The League. Volume 11, Number 4, pp. 4–6.
Statement May 1940
Plastic Speculations Around Mexican Motifs: Julio De Diego. Bonestell Gallery, New York City.
[On Illustrating ‘Henry VI’] Part III. June 1940
For the Subscribers to the Limited Editions Club’s Shakespeare: A Shakespeare Commentary. p. 4, unnumbered.
Twenty Centuries of Mexican Art. July 1940
Magazine of Art. Volume 33, Number 7, pp. 398–405, 440, 443.
Catholic Art, Its Quandaries. October 1940
Liturgical Arts. Volume 9, Number 1, pp. 6–8.
The Painter Sees the World. Winter 1940/41
The American Scholar. Volume 10, Number 1, pp. 94–101.
Biographical Note. Winter 1940/41
The American Scholar. Volume 10, Number 1, p. 128.
Foreword To An Exhibition On Art Techniques. 1941 Previously unpublished. Penthouse Gallery, Museum of Modern Art, New York, New York.
All-American. February 8, 1941
The Nation. Volume 152, Number 6, pp. 165–166.
Abstract vs. Concrete. April 1941
The League. Volume 12, Number 3, pp. 2–3.
Public Speaking in Paint. Autumn 1941
The American Scholar. Volume 10, Number 4, pp. 455–468.
Autobiography by Eric Gill. September 12, 1941
Commonweal. Volume 34, Number 21, pp. 498 f.
Beauty of Athens enhanced by series of mural decorations. November 1, 1942
The Athens Banner-Herald. Sunday, sec. A, p. 6.
Fine Arts Façade, Athens, Georgia. 1942 Partially published.
Interesting Display Of Mexican Art Now At Michael’s. February 3, 1943
The Athens Banner-Herald. p. 1, col. 5; p. 3, col. 1.
Musings Of The Muralist. November 1943
The Twisted Tube. Art Students League of the University of Georgia, Volume 2, Number 1, p. 2.
Eugene Payor Exhibit Praised: Continues Until December 6. November 22, 1943
The Athens Banner-Herald. p. 3.
Transcription
Eugene Payor. April–May 1946
Exhibition catalog. New York: Bonestell Gallery.
Writings Related to The Mexican Mural Renaissance, 1920–1925. 1942, 1944, 1961 Previously unpublished.
Short Writings Related To The Mexican Mural Renaissance, 1920–1925
Passages Cut From The Original Typescript
Chapter XXV: Conclusion.
Appendix I: Fresco Painting In Mexico.
Appendix III: The United States And The Renaissance.
Edward And Mexico.
On Dodd. January 1944
The Twisted Tube. Art Students League of the University of Georgia. Volume 2, Number 2, pp. 1–2.
How Dodd paints Georgia. February 27, 1944
Atlanta Georgia Magazine. p. 7.
Letter to the editors. February 1944
Liturgical Arts. Volume 12, Number 2, pp. 48–49. Reply to letters about his frontispiece in Volume 12, Number 1, November 1943, illustrated.
One Of The Most Important Art Shows Ever To Come To Athens Is Now Underway At The Fine Arts Building. April 12, 1944
The Athens Banner-Herald. p. 3.
Fresco Murals At University Of Georgia. December 1944
Design. p. 7.
José Guadalupe Posada: Printmaker To The Mexican People. January 1945
Magazine of Art. Volume 38, Number 1, pp. 16–21.
Foreword. March 1945
Paintings By Jean Charlot. Shown at The George Walter Vincent Smith Art Museum, Springfield, Massachusetts. March 4th to 25th, 1945
Rufino Tamayo. April 1945
Magazine of Art. Volume 38, Number 4, pp. 138–141.
Old Masters for Tomorrow. Abstract and Surrealist Art in America by Sidney Janis Spring 1945
Kenyon Review. Volume 7, Number 2, pp. 318–321.
Murals For Tomorrow. July 1945
Art News. Volume 44, Number 9, pp. 20–23.
Three Interviews of Josef Albers. 1946, 1953, 1954 Previously unpublished.
Introduction. 1946
Portrait of Latin America as seen by her print makers. Anne Lyon Haight (ed.) New York, Hastings House. pp. vi–viii, 1–7, 24, 120.
Prologue. January 1946
Alfredo Zalce: Imágenes de Yucatán. Talleres de Grafica Popular, Mexico City.
Renaissance Revisited. February 1946
Magazine of Art. Volume 39, Number 2, pp. 58–62.
Introduction. May 1946
Mexican Folk-Art Expressed In The Cut-Out Designs Of Lola V. Cueto, Exhibited At The Southwest Museum During May, 1946. Pasadena: Southwest Museum, Pasadena Library.
Pre-Hispanic Quota In Mexican Murals. Winter 1946
Kenyon Review. Volume 8, Number 1, pp. 1–13.
Juan Cordero: A Nineteenth-Century Mexican Muralist. December 1946
Art Bulletin. Volume 28, Number 4, pp. 248–265. With unpublished supplement.
Foreword. 1947
100 original woodcuts by Posada. Arsacio Vanegas Arroyo, Mexico City; The Taylor Museum, Colorado Springs. pp. 5–8.
Xavier Guerrero, Aztec Artist. January 1947
Magazine of Art. Volume 40, Number 1, pp. 26–28, 34–35.
Mexican Heritage by Hoyningen Huene and Alfonso Reyes. January 1947
Magazine of Art. Volume 40, Number 1, p. 38 f.
Education In The Arts: Theory And Practice. September 1947 Previously unpublished.
Lecture delivered at the Colorado Springs Fine Arts Center, Colorado Springs, Colorado.
The Geometry of Art and Life by Matila Ghyka. October 1947
Magazine of Art. Volume 40, Number 6, p. 248.
José Clemente Orozco. November 1947
Magazine of Art. Volume 40, Number 7, pp. 258–263.
Art at FVS [Fountain Valley School]. June 1948
FVS Alumni Bulletin. pp. 5–7.
The Art of the Mayas. September 1948
Southwestern Lore. Volume 14, Number 2, p. 22.
Rufino Tamayo by Robert Goldwater. October 1948
Magazine of Art. Volume 41, Number 6, p. 240.
American Printmaking, 1913–1947: A Retrospective Exhibition Presented by the American Institute of Graphic Arts. 1948
Print. Volume 5, Number 4, pp. 45–51.
Art and Archaeology. 1949
Studies In Latin American Art. Elizabeth Wilder (ed.) The American Council of Learned Societies, Washington, D.C. pp. 47–52.
Mexican Ex-Votos. April 1949
Magazine of Art. Volume 42, Number 4, pp. 139–142.
Mexican Prints. November 1949
The Metropolitan Museum of Art Bulletin. Volume 8, Number 3, pp. 81–90.
Orozco’s Stylistic Evolution. Winter 1949–1950
College Art Journal. Volume 9, Number 2, pp. 148–157.
El Greco as Mystic. Three Mystics by Bruno De J. M. February 1950
Sheed and Ward’s Own Trumpet. Number 22.
Renaissance in Haiti by Selden Rodman. March 1950
Magazine of Art. Volume 43, Number 3, pp. 114–115.
Diego Rivera At The Academy Of San Carlos. Fall 1950
College Art Journal. Volume 10, Number 1, pp. 10–17.
Art and 25 Nudes by Eric Gill. December 8, 1950
Commonweal. Volume 53, Number 9, p. 236.
College Art Teaching. 1951 Previously unpublished.
The Chinese Ink-Paintings Of Tseng Yu-Ho. April 1951
East and West. Volume 2, Number 1, pp. 17–22.
Mexico in Sculpture by Elizabeth Wilder Weismann. May 1951
Magazine of Art. Volume 44, Number 5, pp. 200 f.
Orozco And Siqueiros At The Academy Of San Carlos. Summer 1951
College Art Journal. Volume 10, Number 4, pp. 355–369.
Apologia. Summer 1951 Previously unpublished.
Apologia. Summer 1951 Reading version.  Previously unpublished.
Painting and Revolution. September 15, 1951
Saturday Review of Literature. Volume 34, pp. 48–49.
Mural in the Waikiki Branch of the Bishop Bank: Subject Matter: Early Contacts of Hawaii with Occidental Culture. ca. 1951 Previously unpublished.
Man’s Wisdom Subdues The Aggressive Forces Of Nature. ca. 1951 Previously unpublished.
Choris And Kamehameha. 1952
61st Annual Report of the Hawaiian Historical Society for the Year 1952. pp. 20–28.
Address [on mural painting]. February 4, 1952
Honolulu, Hawaiʻi: Social Science Association. Mimeograph.
Acuarelas: 1935–1945 by Diego Rivera. Introduction by Samuel Ramos. March 1952
Magazine of Art. Volume 45, Number 3, pp. 139 f.
Foreword. September 1952
Ke Anuenue. Juliette May Fraser University of Hawaii Press, Honolulu.
Commentary on the document on religious art of the Congregation of Rites. November 1952
The Editor’s Diary: VII. Maurice Lavanoux
Liturgical Arts. Volume 21, Number 1, pp. 20–25, pp. 23 f.
Diego Rivera In Italy. January 1953
Magazine of Art. Volume 46, Number 1, pp. 3–10.
Thirty Years at It. February 1953
Liturgical Arts. Volume 21, Number 2, pp. 36–39.
Statement on the publication of Juliette May Fraser: Ke Anuenue, 1952. May 1953
The Story of a Book: Ke Anuenue.
Kokua. Volume 16, Number 9, p. 2.
Exhibition of stained glass. May 1953
Paradise of the Pacific. Volume 65, Number 5, p. 27.
Who discovered America? November 1953
Art News. Volume 52, Number 7, pt. 1, pp. 30–33, 49–51.
Jean Charlot. 1954
Born Catholics. F. J. Sheed (ed.) Sheed & Ward, New York. pp. 96–113.
U of H Administration Building Frescoes. March 1954
Alumni News. Volume 5, Number 10, pp. 10, 12.
The Bachman Hall Frescoes, University of Hawaii. ca. 1954 Honolulu: University of Hawaiʻi.
N.t. [on his clothes]. N.d. [ca. 1954] Source unknown.
a ‘find’ in the art world, a new portrait of Kamehameha. 1954
Paradise of the Pacific. Volume 66, annual, pp. 34–37, 112.
Saints and Santos. May 1955
Liturgical Arts. Volume 24, Number 3, pp. 78–81.
King Kamehameha’s Red Vest. June 1955
Paradise of the Pacific. Volume 67, Number 6, pp. 9–11. Heavily edited.
A Westerner on Japanese Art. July 1955
East and West. Volume 6, Number 2, pp. 143–149.
new frescos at the University of Hawaii. 1955
Paradise of the Pacific. Volume 67, Holiday Edition, pp. 82 f.
The Frescoes For The Church Of The Good Shepherd. December 18, 1955
Good Shepherd Weekly Vigil. Volume 6, Number 26, December 18, 1955, pp. 1 ff.
Art, Sacred And Otherwise: Comments On A New Book. Church Building and Furnishing by J.B. O’Connell. 1956 Mimeograph.
Nature And The Art Of Josef Albers. Spring 1956
College Art Journal. Volume 15, Number 3, pp. 190–196.
Choris And The Chiefess. January 1956
Paradise of the Pacific. Volume 68, Number 1, pp. 16–17, 26. Heavily edited; pencil corrections by the author.
Articles For The Encyclopedia Junior Britannica. 1956 Partially published.
Fine Arts.
Mexican Painting.
Rivera, Diego (1886–1957).
Lithography.
Engraving.
Orozco at Close Range: From Cartoonist to Master. Orozco by Alma Reed. July 22, 1956
New York Herald Tribune. Section 6, p. 6.
Orozco by Alma Reed. Fall 1956
College Art Journal. Volume 16, Number 1, pp. 85–87.
Post-Cook Discovery In Petroglyphs. November 1956
Paradise of the Pacific. Volume 68, Number 11, pp. 26–29. Heavily edited.
Original version: An Eighteenth-Century Hawaiian Petroglyph. Previously unpublished.
The Indian beneath the skin. Pre-Columbian Art by S. K. Lothrop et al. Indian Art of Mexico and Central America by Miguel Covarrubias. May 1958
Art News. Volume 57, Number 3, pp. 43, 55.
Fresco: Calvary For St. Leonard Friary. 1958 Previously unpublished.
Catholic Art in America: Debits and Credits. November 1958
Liturgical Arts. Volume 27, Number 1, pp. 21–23.
Art. August/September 1959
A Report on American Culture. Spec. issue of The Critic. Volume 18, Number 1, pp. 23–26, 79.
Art. 1959
A Report on American Culture: A Symposium Sponsored by the Thomas More Association and the Department of Library Science, Rosary College. River Forest, Illinois, The Thomas More Association. pp. 63–75.
Written version of lecture given at the symposium above. June 13–14, 1959
Approach to Christian Sculpture by Hubert van Zeller. November 1959
Liturgical Arts. Volume 28, Number l, p. 22.
Orozco in New York: Based on his letters to the Author. Fall 1959
College Art Journal. Volume 19, Number 1, pp. 40–53.
Jean Charlot’s Fresco-Mural In The Church Of Our Lady & St. Philip, Rock Hill, South Carolina. November 1959 Previously unpublished.
The Mexican Renaissance. May 11, 1960 Previously unpublished.
Lecture delivered at the Art Department, the University of Texas at Austin, Austin, Texas.
The Responsibility of the Artist by Jacques Maritain. August 1960
Liturgical Arts. Volume 28, Number 4, pp. 111 f.
Christianity in Art by Frank and Dorothy Getlein. August 1960
Liturgical Arts. Volume 28, Number 4, p. 113.
Letter On Plan For The Fresco In The Church Of Our Lady Of Sorrows, Farmington, Michigan. March 12, 1961 Previously unpublished.
Fresco In The Church of Our Lady of Sorrows, Farmington. September 24, 1961
The Parish Bulletin of Our Lady of Sorrows Church. Volume 11, Number 39, pp. 1, 3.
Original typescript of above.
Angels Over The Altar by Alfred Frankenstein. November 1961
Liturgical Arts. Volume 30, Number 1, pp. 50–52.
Explanations, The Charlot Frescoes: Moreau Hall, Saint Mary’s College, Notre Dame, Indiana. ca. 1963
Saint Mary’s College, Notre Dame.
Original typescript of above. 1956
[Charlot, Jean?]. The Jean Charlot Mural at Navunibitu, Ra, Fiji (At Naiserelagi: Kings Road). N.d. [1963?] Suva, Fiji: Navunibitu Catholic Mission.
Wit And Tactile Beauty [Marjorie Hee]. September 11, 1964
The Chinese World. p. 1.
Art And Communication: The Example Of José Guadalupe Posada. June 9, 1965 Previously unpublished.
Lecture delivered at Wayne State University, Detroit, Michigan.
Two Lonos. November–December 1965
Paradise of the Pacific. Volume 77, Number 6, pp. 68–76.
Foreword. 1966
Painted Walls Of Mexico: From Prehistoric Times until Today. Emily Edwards Austin and London: University of Texas Press. pp. ix–x.
Fresco. 1967
New Catholic Encyclopedia. Volume 6, pp. 194 f.
Orozco, José Clemente. 1967
New Catholic Encyclopedia. Volume 10, p. 784.
Report On Stay At East-West Center As Senior Specialist. September 26, 1967 Previously unpublished.
Mural In Jefferson Hall: Occidental Apport To World Culture. 1967 Previously unpublished.
Two Quotations on the Thomas Jefferson Hall Frescoes. October 1967
The Thomas Jefferson Hall Frescoes, East–West Center. Honolulu: The East-West Center, p. 1 (unnumbered).
Black Mountain College: A Diary. December 1967
Form. Number 6, pp. 26 ff.
Full Transcription of above. 1967 Previously unpublished.
A Westerner’s approach to Chinese painting: Comparisons, East and West. December 1968 Notes and slide list for the talk given at the National Palace Museum, Waishuangshi, Shihlin, Taipei.
A Westerner’s approach to Chinese painting: Comparisons, East and West. January 29, 1968 Handout with summary of the talk given at the National Palace Museum, Taipei, Taiwan.  Taipei: National Palace Museum.
The Donald Angus collection of oil paintings by Madge Tennent. February 22 to March 15, 1968 Contemporary Arts Center of Hawaii, Honolulu. Excerpts from Art: The Tennent show. The Honolulu Star-Bulletin, July 12, 1967, sec. B. p. 1.
Letter To Jacob Adler On The Statue Of Kamehameha By Thomas R. Gould. ca. July 1969 Previously unpublished.
Diaries of Désiré Louis Maigret, Picpus Father, Bishop of Arathia in partibus infidelium, Apostolic Vicar for the Sandwich Islands October 16, 1969 Previously unpublished.
An 1849 Hawaiian Broadside. 1970
The Hawaiian Journal of History. Volume 4, pp. 96–104.
The Unknown God by István Rácz. ca. 1970 Previously unpublished.
A Note On Work At Fountain Valley School. ca. 1970 Previously unpublished.
The Way of the Cross In The Church Of St. John Apostle And Evangelist, Mililani, Hawaiʻi: Letter to Fr. Anthony Pascale. February 4, 1971 Previously unpublished.
A Suggested Parallel Between Venezuelan And Hawaiian Petroglyphs. February 8, 1972 Previously unpublished.
An Artist Looks Back. March 8, 1972 Previously unpublished.
Lecture delivered at the Honolulu Academy of Arts, Honolulu, Hawaiʻi.
Juliette May Fraser: A Retrospective Honoring the Artist 85th Year. March 30–April 30, 1972 Honolulu Academy of Arts. From Juliette May Fraser, artist, ambassador. The Honolulu Star-Bulletin, August 20, 1964, p. 24.
Letter to Dr. Ernest Jackson on Mira Baciu’s work on Paul Claudel. 1972 Trivium, 2–3 (7/8), pp. 96 f.
The Relation Of Western And Eastern Art: A Slide Lecture. February 21, 1974 Previously unpublished.
Lecture to the University of Hawaiʻi French Club, Mira Baciu, Faculty Advisor.
Artists of Hawaiʻi, Volume One: Nineteen Painters And Sculptors. 1974 Photographs by Francis Haar; Interviews by Prithwish Neogy; with an Introduction by Jean Charlot The State Foundation On Culture & The Arts, And The University Press Of Hawaiʻi/Honolulu.
Introduction. 1974 pp. xi–xviii.
Isami Doi. 1974 pp. 3–5.
Jean Charlot. 1974 pp. 42–49.
Opihi Stew Or Soup. 1974
Friends of Habilitat Cookbook. Habilitat, Kāneʻohe, Hawaiʻi. pp. 34 f. first edition: Hawaiian Celebrities Cookbook, 1974, p. 28
Why start a Claudel Society… May 1975
Paul Claudel in the Pacific; Journal of the Society of Paul Claudel in the Pacific. Volume 1, Number 1, pp. 1–4.
Statement. December 12, 1975
The Unveiling Of Mataumu Toelupe Alisa’s Ceramic Tile Mural Makahiki-Paʻani Hoʻoikaika o Molokaʻi. Molokaʻi High and Intermediate School, The Gymnasium, Hoʻolehua, Molokaʻi.
Notes on Posada. 1977
Print Review. Volume 7, pp. 5–27.
Foreword. 1977
Toward A People’s Art: The Contemporary Mural Movement. Eva Cockcroft, John Weber, and Jim Cockcroft E. P. Dutton, New York. pp. xv–xviii.
A Man for Four Seasons. [On Brancusi] 1977 Original English. Previously unpublished.
O aruncatura de ochi peste opera lui Brancusi printr-o varietate de culturi. 2006 Translated by Stefan Baciu.
Trivium. 2–3(7/8), pp. 90–94.
A Man for Four Seasons. 2006
Trivium. 2–3(7/8), pp. 209–213.
Foreword. 1977
Way of the Cross: 14 Original Woodcuts. Lynton R. Kistler, Los Angeles. Reprint of Chemin de Croix, 1920.
Apports Of Hawaiʻi To Western Culture. 1977 Previously unpublished.
Message From Jean Charlot. 1978
National Murals Network Newsletter 1978. pp. 30–31.
José Guadalupe Posada and His Successors. 1979
Posada’s Mexico. Ron Tyler (ed.) Washington, D.C.: Library of Congress In Cooperation with the Amon Carter Museum of Western Art, 1979. pp. 29–57.
Daumier’s Graphic Compositions. 1980
Honoré Daumier: A Centenary Tribute. Andrew Stasik (ed.) New York: Pratt Graphics Center, 1980. pp. 55–95.
The Posters. 1987 [1979]
Rupert Garcia: Artist-in-Residence. Institute of Culture and Communication, East-West Center. p. 3 [unnumbered].