“Bas-Reliefs from Temple of the Warrior Cluster” Earl H. Morris, Jean Charlot, and Ann Axtell Morris The Temple of the Warriors at Chichén Itzá, Yucatan. 2 volumes. Publication Number 406. Washington, D.C.: Carnegie Institution of Washington, 1931, Volume 1, pp. 229–346.
J. Eric Thompson, Harry E. D. Pollock, and Jean Charlot A Preliminary Study of the Ruins of Cobá, Quintana Roo, Mexico. Publication Number 424. Washington, D.C.: Carnegie Institution of Washington, 1932.
Pictures and Picture Making: A Series of Lectures Hollywood: privately mimeographed by the Walt Disney Studios, 1938.
Art from the Mayans to Disney New York and London: Sheed & Ward, 1939.
Charlot Murals in Georgia Introduction by Lamar Dodd, photographs by Eugene Payor, commentaries by Jean Charlot. Athens: University of Georgia Press, 1945.
Art-Making from Mexico to China New York: Sheed & Ward, 1950.
Dance of Death: 50 Drawings and Captions New York: Sheed & Ward, 1951.
Choris and Kamehameha Honolulu: Bishop Museum Press, 1958.
Village Fiesta N.d. . Syracuse, NY: The Mural Program, Syracuse University.
Mexican Art and the Academy of San Carlos, 1785–1915 Foreword by Elizabeth Wilder Weismann. Texas Pan-American Series. Austin: University of Texas Press, 1962.
Naʻauao (The Light Within) Honolulu: University of Hawaii Press, 1962.
The Mexican Mural Renaissance, 1920–1925 2nd edition. New Haven, CT and London: Yale University Press, 1967. Second printing, February 1967. This printing contains corrections of the 1963 first edition. See also “Writings Related to The Mexican Mural Renaissance, 1920–1925” in the “English Texts” section. See El renacimiento del muralismo mexicano 1920–1925 (1985) below for the Spanish translation.
Three Plays of Ancient Hawaii Honolulu: University of Hawaii Press, 1963.
Laukiamanuikahiki: Snare that Lures a Farflung Bird. A Bilingual Playlet, Hawaiian–English Honolulu: privately printed, 1964.
Posada’s Dance of Death New York: Pratt Graphic Art Center, 1964. With four relief engravings by José Guadalupe Posada; title page wood engraving by Fritz Eichenberg.
Jean Charlot and Zohmah Charlot Jean Charlot: A Catalog of Books, Portfolios, Writings, Murals Honolulu: private printing, 1968.
José Clemente Orozco and Jean Charlot El Artista en Nueva York (cartas a Jean Charlot, 1925–1929, y tres textos inéditos) Prólogo de Luis Cardoza y Aragón; Apéndices de Jean Charlot. Mexico City: Siglo Veintiuno, 1971.
An Artist on Art: Collected Essays of Jean Charlot Honolulu: University Press of Hawaii, 1972.
Doors to Many Mansions Panels Designed by Jean Charlot, Crafted by Evelyn Giddings; Comments by Jean Charlot Honolulu: Punahou School, Robert Shipman Thurston Jr. Memorial Chapel, 1973.
“Laukiamanuikahiki: Snare That Lures A Farflung Bird” 1973. Previously unpublished.
José Clemente Orozco The Artist in New York: Letters to Jean Charlot and Unpublished Writings, 1925–1929 Foreword and notes by Jean Charlot; letters and writings translated by Ruth L. C. Simms. The Texas Pan American Series. Austin and London: University of Texas Press, 1974.
Two Hawaiian Plays Hawaiian and English. Honolulu: published by the author, distributed by the University Press of Hawaii, 1976.
cartoons catholic: mirth and meditation from the brush and brain of jean charlot, with commentary by f. j. sheed Huntington, Indiana: Our Sunday Visitor, Inc., 1978.
Inscriptions 1978 Tide Calendar. Hawaiian and English, to photographs by Robert Wenkam; edited by John Charlot. Honolulu: Dillingham Corporation, 1977.
El renacimiento del muralismo mexicano 1920–1925 New Haven: Yale University Press, 1963; reprint, Mexico City: Editorial Domés, 1985. See The Mexican Mural Renaissance, 1920–1925 (1967) above for the English original.