"The Formation of the Artist: Jean Charlot's French Period," in Thomas Klobe (ed.): Jean Charlot: A Retrospective, University of Hawai`i Art Gallery, Honolulu, 1990, pp. 34–57.
“Jean Charlot, de la France au Mexique.”  Philippe Monsel (ed): Mexique-Europe: Allers-Retours: 1910-1960, Éditions Cercle d’Art, Paris, 2004, pp. 101-110.  (Catalog of exhibition at Le Musée d’Art Moderne, Lille, France, September 4, 2004—January 16, 2005)
“Jean Charlot: From France to Mexico.”  English original of “Jean Charlot, de la France au Mexique.”
“Charlot, Jean,” in Michael S. Werner (ed.): Encyclopedia of Mexico: History, Society & Culture, Fitzroy Dearborn Publishers, Chicago, London, 1997, pp. 236 f.
“Patrocinio y libertad creativa: José Vasconcelos y sus muralistas.”  Parteaguas, Revista del Instituto Cultural de Aguascalientes, Year 4, Number 13, Summer, 2008, pp. 97–105.  
"Patronage and Creative Freedom: José Vasconcelos and his Muralists." English original of above.
“El pequeño testimonio de José Vasconcelos sobre el Renacimiento Pictórico Mexicano: Escrito para Jean Charlot.”  2009.  Parteaguas, Revista del Instituto Cultural de Aguascalientes, Year 5, Number 17, Summer, pp. 31–34.
"José Vasconcelos' Brief Memoir of the Mexican Pictorial Renaissance Written for Jean Charlot." Original English of above.
"El Primer Fresco de Jean Charlot: La Masacre en el Templo Mayor."  Memoria Congreso Internacional de Muralismo: San Ildefonso, cuna del Muralismo Mexicano: reflexiones historiográficas y artísticas, Antiguo Colegio de San Ildefonso, Mexico City, 1999, pp. 243-279. 
With appended texts by Jean Charlot, pp. 281-299:
Apéndice I: "Ideografia azteca y Gleizes." 
Apéndice II: "Respuesta a Molina."
Apéndice III: "Memorandum Técnico."
Apéndice IV: "Composición de La Masacre en el Templo Mayor"
“Jean Charlot’s First Fresco: The Massacre in the Main Temple,” Jean Charlot Collection, web site, 2001. 
“A Note on Jean Charlot’s View of Diego Rivera,” Zeitschrift für Kunstgeschichte, Volume 60, Number 1, 1997, pp. 115–118. 
“Jean Charlot y Luz Jiménez.”  Parteaguas, Revista del Instituto Cultural de Aguascalientes, Year 2, Number 8, Spring, 2007, pp. 83–100.
"Jean Charlot and Luz  Jiménez." English original of above.
“Una carta inédita de José Clemente Orozco para Jean Charlot, con extractos de cartas de Pablo O’Higgins,” Parteaguas, Revista del Instituto Cultural de Aguascalientes, Year 3, Number 11, Winter, 2008, pp. 83–93. 
"Jean Charlot and Local Cultures," in Ethel Moore (ed.): Jean Charlot, Paintings, Drawings, and Prints, Georgia Museum of Art Bulletin, The University of Georgia, Volume 2, Number 2, Fall 1976, pp. 26–35.
"The Theme of the Body in the Work of Jean Charlot," Studies in Religion/Sciences Religieuses, Revue Canadienne/A Canadian Journal, Volume l2, Number 2, printemps/spring l983, pp. 211–2l8.
"Jean Charlot as Paul Claudel's Ixtlilxóchitl," The Journal of Intercultural Studies, Numbers 17 & 18, 1990–1991, pp. 64–74.
"The Source of Picasso's First Steps: Jean Charlot's First Steps," Zeitschrift für Kunstgeschichte, Volume 55, Number 2, 1992, pp. 275–278.
"Jean Charlot and Classical Hawaiian Culture." The Journal of Pacific History, Volume 41, Number 1, 2006, pp. 61-80.  
"Les pièces dramatiques en langue hawaïenne de Jean Charlot," Journal de la Société des Océanistes, 54–55, Tome XXXIII, Mars–Juin 1977, pp. 65–75.
“Jean Charlot’s Hawaiian-Language Plays,” Rongorongo Studies, Volume 8, Number 1, 1998, pp. 3–24. 
"The Death and Burial of Jean Charlot, February 12, 1898–March 20, 1979."  Honolulu Magazine, Volume XIV, Number 6, December 1979, pp. 78–82, 84, 87.

All texts are copyrighted.  Please do not use without acknowledgment. 

I thank the original publishers of these articles for permission to post them on this website.  

For further articles by John Charlot, visit www2.hawaii.edu/~charlot.